I take images from discarded books and digital archives to undermine the clear narratives and stable images they hold. Performances of faith across time are scrutinized, excavated, and collected into an anachronistic record that confuse narrative and place. Biblical tableaus dissolve into acidic patterns, and stories about Jesus become stories about carnal anatomy. As reverent spectacles are surgically removed from their sources and woven into new material contexts, hypnotic rhythms emerge, relaxing the strict edges of positive and negative space. The resulting artworks become quiet monuments to not knowing and embrace their status as objects holding data that does not need resolution.
George holds a BFA from Utah Valley University in Orem, Utah and now lives in Athens, Georgia studying as an MFA candidate at the University of Georgia and will complete the three-year program in May 2026.